Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

The Edge of Electronic Music

Correct me if I'm wrong, but I don't have any readers with their ears to the ground of electronic music... so you probably haven't heard of the monome. It's a new instrument that's just a bunch of buttons.

JUST a bunch of buttons.

Most musians have said "uh-huh, boring," and moved on. Yamaha believes in it, and has created a version called the Tenori-on. But other musicians have embraced it... and look at the beautiful music they've created!




There is, of course, more of this stuff available on the web, though this guy (girl?) appears to be the most skilled that I've seen.

(...And the little red box on the far side of the table is a Korg Mini KP... a very cool little effects-processor.)

Guilty Pleasures: As You Get Older

One of the aspects of life that I find most fascinating is how people's tastes change with age.

A dramatic change for me has been my taste in music. Five years ago, I listened to and wrote ambient music 80% of the time. While some techno fascinated me, I thought it was redundant and obnoxious.

Today, I listen to techno 80% of the time. Some ambient is fascinating, but I mostly find it redundant and obnoxious.

(Okay, I really only listen to techno about 50% of the time.)

As I get older, I'm finding this trend continues... I just want music that's blatantly electronic.

Latley, I have even been listening to Astral Projection. I feel guilty admitting that.

What are you doing now that your younger self would have slapped you for?

Rest In Peace, Kikapu

Well. I just discovered that one of the net labels that I have released music on, known as Kikapu, was laid to rest this year.

Looking around, it seems like there are very few netlabels yet thriving. And those that I found were less than impressive. Is Kahvi the only one left? If you read this and know of one, please drop me a line.

...Where Our Hero Confronts Poets and Loses

I didn't get much of a reception to my latest album on Kahvi. ...A post or two on the Kahvi message boards... a single (!) link from another blog. That was it.

A little disappointing. ...So I decided to do a quick search. ...I eventually found one podcast that made use of it: Sundown Lounge. It's a poetry podcast out of LA, featuring quite a bit of funky music. My music was used as a kind of backdrop (he calls it a "Music Bed") over the host speaking in episode 129.

Hey, I'll take that. I was into poetry once... and my dad has always been a fan. And, hey, I once lived (kinda) near LA. It fits.

Of course, his choice of my music was random... he just picks a Kahvi track for each episode.

Besides that, the music (which is more typical, lyrical music) on the podcast is really quite good. It's surprising what you can find for free these days if you're plugged in to the right jack. ...I suppose I shouldn't be startled. One of my wife's friends is into the LA musician's scene (not as a performer, but as an organizer). I've seen a few local (LA) gigs, and they were all superb. Angela Ueber comes to mind. (I would link, but such things are blocked here at the VA.)

Anyway, it's certainly worth a listen, if you've got 40 minutes.

As for my music?

Meh. It didn't go over well. Can't win 'em all.

Unusual Sensuality

Speaking of things that turn you on but shouldn't...

...do other people find this woman strangely sexy?

And, by the way, try and tell me she isn't totally in a "trance" when she plays!

"Black Mesa Winds" Released


After about six months sitting in queue, my latest album, called Black Mesa Winds, has been released on Kahvi.

It's cc-by, so feel free to download it for free and pass it around.

Music: Geonosian Advance

This is not really meant to be a movie, but Blogger doesn't allow MP3s, so I whipped something up this morning in about an hour. It's not meant to be at all "good". ...Well, the music is. Screw the video. ; )

This is one of four songs I've started for my next album. The pictures and movies are just shots of my "studio" and of New Mexico: I took them all. Feel free to ignore them; this is really about the music. : ) Sadly, Blogger did a wonderful job of butchering the sound quality in its "processing". Oh, well. At least you get the idea.

Another Interesting Video

A video by Chemical Brothers. You're riding a train, and all of the background stuff occurs in sync with the music:

Cool Stop-animation Video

This may take a moment to load, but it's worth watching.

All Is Full of Love


I've never been fond of the word "love". I find it hard to say, even if it's easy to do. I am uncomfortable when people (my wife excepted) use it. I even tend to avoid music that over-uses the word in its lyrics.

There are a few exceptions. Seal can get away with it in, say, Future Love Paradise. Despite the title, the concept seems fairly incidental in a song that is very difficult to comprehend. To my ears, it's just another tonality on the interesting instrument that is Seal's voice.

Björk, though, cannot be denied the power of the word "Love", in All Is Full of Love. This is one of those rare songs that talks about love in a way that often comes close to bringing me to tears.

I don't know why, exactly. Perhaps it's the music video, which is awesome. Perhaps it has to do with the implication that everything is perfect, just the way it is. But it makes me feel good about life.

And boy, does she ever belt it out! No holds barred: she makes it a raw, emotive, overwhelming exclamation: all is full of love!

...But then I listen to s'more techno (at the moment, that's Nexus by Astral Projection), and pretend it never happened.

Ignoring my emotional ineptitude, I recommend you pick up a copy of the song from your favourite on-line vendor. It's one of the best ever.

Sundance Music Festival

I just sent this email to Bad Loop and Recue:

Okay, I've been euphoric about the sundance recording (the Kahvi version) for long enough now that I figured it was high time to comment to you both about it. (Cc'ing Nik cause I know he likes to hear this stuff.) ; )

I think it's fantastic. The style, mood, and tonality are consistent throughout, making for a coherent track. A gearhead like myself has to appreciate the work that's gone into the sound design. The rhythms are all perfectly glitchy and interesting throughout. The melodies, though, are what make this memorable: I find myself humming the various themes on a regular basis. The flow of the set is amazing, with both pauses and climaxes in the right places... it's just an amazing overall experience.

This gets queued up as often as my other favourites, and has officially made it to my "essentials" list. Definitely right up there with esem.

Thanks for making this available (and free). Count yourselves as having one more fan.
I suggest you check it out. You'll get an idea of the kind of music I love, and you may even grow to like it yourself.

Music: Decmeber, 2007

[Warning: this post is going to be a blatant over-post. I wanted to be detailed on this one, since it's something of a "historical" post. I want to know what I was thinking at this point in my life.]

As I find myself cleaning up the music off of my work PC (because I have the iPod), I discover that it's time to take stock of my favourite music, again. I'll do it a little differently, listing how many tracks I refused to delete from my machine, despite the redundancy. Thus, these are the songs that are in my "survival kit", for those rare days where I've forgotten my iPod (which I haven't yet). And so, I bring you...

Essential Music


In reverse order (meaning, fewest to most):

  1. A tie for the 1-song slot: Alexander Chereshnev (Silver Train), Bad Loop and Recue (AWESOME 1-hour long mix), José González (Heartbeats), The Orb (Slug Dub), Rush (Tom Sawyer--it's nostalgic), and Tobias Wilton (hevv). Also Alanis Morissette (Uninvited), whom I admit to having a crush on.
  2. A couple of 2-song contenders not worth singling out: Biosphere, Dave Mathews Band, kaen (which is cheating: they are 1-hour-plus mixes of Kahvi music), and Mataya.
  3. Pat Metheny Group: 3. Yes, I still listen to some jazz now and then!
  4. Enigma: 3. All from MCMXC AD. Cheeseball? Perhaps. But addictive.
  5. Afro Celt Soundsystem: 3. Though it's something of a guilty pleasure (saying you're listening to "world music" usually elicits violent responses), these guys rock. I have a boatload more of their music, but three of the songs are essential.
  6. Kilowatts: 4. This is the kahvi release from about a year ago. Download it! One of the best releases from Kahvi... a lot of fun: electronic and rhythmic. Full of energy and whimsy.
  7. Pink Floyd: 5 tracks from The Wall that I can't live without.
  8. Seal: 6. An incredible vocalist, sure, but it's the punchy rhythms and unusual song development that I prefer.
  9. Red Hot Chili Peppers: 6. Blood Sugar Sex Magik: best rock album of all time, sez I.
  10. Esem: 9. I was actually surprised that I cut it down to this few... these are his "hardest" pieces, from alipe lacks to tetaby. This music is the power source for my soul.
  11. Tangerine Dream: 10. This is just the entirety of Dream Mixes.
  12. Depeche Mode: 10. Namely, Playing the Angel. When I need a fix of hard-core electronic music, this gets queued up.
  13. Shpongle: 11. And this is only so low because I don't have Nothing is Lost on this machine! I think that album's about 16 tracks, so perhaps this list should be around 25. : )
  14. Toad the Wet Sproket: 13. Down-to-earth rock music.
  15. Nine Inch Nails: 24. Yup. Nasty, evil, dark, dirty, and delicious.
  16. Introspective: 27. This is my own music... not everything I've written, clearly, but some of the best picks. I suppose it's a good sign that my own music comes out on top.
My "survival kit" is comprised of just over 150 songs, by 26 artists. Not sure what that says, since there's very little to compare it to. : )

On Compositional Style

Continuing on the subject of music, I thought I would outline how my compositional style has changed since my days with Triple Helix:

First, I embarced the use of drum loops.

Second, I use far fewer effects. Perhaps three effects per song in toto. ...Not counting compressors, which I consider a mastering tool and not an effect.

Third, I've moved away from "ambient". The first song of this next album begins (and ends) with ambient drones, but understand that I deliberately put them in there to represent the transition from the old style to the new.

Fourth, a heavy, heavy use of synthesis. ...And I mean balls-to-the-wall subtractive synths. Perhaps a sample-based element here and there... but from there, it's squares and saws all the way down. The music sounds very, very electronic.

Fifth, and tied to that, is a much-restricted set of instruments. My last album was 80% Albino, 10% impOSCar, and 10% "other". The upcoming album is 80% impOSCar, 10% Ex5/microKorg, and 10% "other". My new studio is very much restricted: Stylus, Atmosphere, impOSCar, Predator, and a Virus. That's it. Nothing else. End of story. The fifth step is perhaps the most important: I am satisfied with what I have. That makes a huge difference.

Music

I've had music-writing as a hobby since around 1992. I would consider myself fairly "serious" about it, at least as a hobby is concerned. I spend more time at it than I do at role-playing, I'm just less vocal about it.

The reason I'm quiet about my music is because for about six years, I was involved in a "group" of fellow musicians on a Yahoo! Group called "Triple Helix". I'm not sure if it's open to the public: feel free to look it up, if you care to.

I left the group some time ago.

In terms of music-writing, it was the best thing I've ever done. My last album shows signs of my movement away from the influence of the others in the group. My next one (coming up in the next few months), even more so. If I say so myself, it's an excellent album: mature and coherent.

From that group, I learned about synthesis and song arrangement and even a bit about the business of writing music. But there was a toll: I found myself self-critical when I strayed from their preferred style, only to have those criticisms echoed on the list. In short, I needed to find my own voice. Helpful in the early days, poisonous after too long.

Perhaps it's best to walk one's own path from the start, even if it feels like a longer one.

For Posterity...

As I've mentioned in the past few posts (or so), I am a fan of Shpongle. Shpongle is, as a quick search would turn up, Simon Posford. It only recently occurred to me that he might have other pseudonyms, though... and indeed he does! (I count 31.)

This news is both good and bad. Good, in that I have plenty of music to explore, now. Bad, in that his music generally isn't cheap. On Amazon, some albums were for sale (used only) at $50.

It dawned on me that my wife has an iPod, and thus can buy songs at a buck a pop ($10 for an album). So tonight, I goaded her into buying two of them (this and that). I am presently listening to A Flock of Bleeps. ...and cursing myself that I didn't do this earlier.

Shit.

This may sound a bit silly, but I do think Posford is a modern-day Mozart. Unconventional, brilliant, and a visionary. If I believed in the whole reincarnation thing... : )

Well, this should keep me satisfied for a few months.

In other news, the newest programmer at work managed to convince the other two programmers that we should really be writing as much as possible in Ruby (and Rails, secondarily). So this past week, I started "training" the others, kinda. It seems to be well-received. As a result, I spent a good 20 hours this week in Aptana. I also released my port of... uhhh... well, it would take a long time to explain it, but basically, my "main application"... which was originally written in ColdFusion (and I daresay there have been only a handful of CF programs as complex as this one). I only got it running Thursday night, and Friday was fraught with "gotchas". But there's something very different about Ruby code, and I wasn't at all stressed by it, as I might be even in Perl. The code is fairly clear. Clean. Approachable. I don't worry about problems: they can all be solved quickly and with minimal pain.

I'm a fan.

M-kay. It's past midnight here (I spent the last few hours composing), and that's way too late for me. Bedtime, new Posford music or not!

Biochemical Music

I noticed the other day that there are some songs that just... well... move me. Not like a plain-old great song (Shpongle comes to mind), but individual tracks that just flip some switch somewhere, demand the volume be turned up, and that everything else be ignored. All hands on the audio deck.

Interestingly, these are also songs that would likely not make my list of "best ever" music! This is a bit paradoxical, and I cannot put my finger on why, but it's true: these are not songs that I would put on my Desert Island list... at least, wouldn't have. Now that I've discovered such a class of music exists, I might re-think my reflex to take songs that are "great", in the conventional sense of the word.

These songs are good, mind you... it's just that they may not hold up to technical scrutiny. No advanced theory, here. No super-human technique. My college music professors would laugh at me for mentioning them. No, these songs aren't great. They just move me. It's biochemical.

The song that did this to me was Kyes Ivrload by Esem. Technically, it's a stupid song. It's literally the same bassline, beat, and bells played over and over and over for three minutes and 48 seconds. But of course, the song is all about the effects that roll over the themes like dark waves. As I said, this song moves me. I wondered if there were other songs that were capable of it. That said, I don't think any of the others provoke such a visceral reaction: my whole demeanor changes when this song percolates to the top of the playlist.

Beat 6 by Aaron Jasinski (sorry, I don't think he ever released it, officially) does it for me. It's another non-complex song, with just a few themes. Very electronic, heavy. It's one of those songs that demand high volume and low distraction. One of those tracks that's hard to hit the "skip" button on, even when you're rushing. Aaron has a tendency to "borrow heavily" from others, and I wonder where his influence for this track (and the others in the series, which are all great) came from: I would likely enjoy that artist!

Uninvited by Alanis Morrisette. (Does it make me less of a man to say so?) Nearly perfect: dark, musical, driven-yet-downbeat. Using the "hard to skip" criteria, this certainly passes: I don't think I've ever skipped this track when it comes up. I like Alanis, but it's usually a mood thing: I can't just listen to her music on an average day. ...except for this song.

I Want You (She's so Heavy). Enough said.

Nothing's Impossible and The Darkest Star by Depeche Mode. I'm a little wary putting these on the list, since I haven't even owned this album for a year, and it's dangerous to judge a song's merit on anything less than a year's listening. ...Further, it takes me a minute to get into these track (I can skip one easily through the first few bars)... but once it's in full swing, I'm hooked. It's dark, detailed, textured.

I almost want to put some of Enigma's first album on the list, but I don't. Close, but not biochemical.

Another close miss is Giles Reaves's Velvet Shade and Here and Now. These are intensely personal songs, from a time in my life where I really first started to "find myself". ...But as such, these are more cerebral celebrations than physical. They are still hard to skip, though. : )

Undocumented by... uhh... me. Okay, perhaps this is cheating, but also perhaps this song is what truly sparked this whole line of thought: I had just finished listening to this track the other day and said to myself, " Man, I LOVE this song...", then immediately asked if I thought it was my best, and had to say no, it wasn't. Yet this track makes the list: it's not fancy, but it's visceral. I wrote it in a few hours, and found no need to ever go back and tweak it: it is what it is, and I love how it came out. So nyah. (Then again, if a musician doesn't put their own music on their best-music list, something is wrong.) Another track like Undocumented in this respect is Viral Proteins. I wrote it very quickly, loved the result, and it moves me... but I'm not sure I'll put it on this list "for real," since it's so much more ambient than the other tracks. It sparks wonder, not energy.

Okay, I've gotten into Nine Inch Nails territory. I expect more than a few, here. First up is Somewhat Damaged. Perfect, in its angry, simple way. The Wretched, which may be the best song Reznor's ever written: it satisfied on both levels: this low-level, emotional one, and it's also technically a superb song (well, for the genre, at least). Dammit, a good half of this album qualifies. At least, that's what I'm thinking when The Fragile comes up. I love this song. I'll try and skip Even Deeper , The Great Below, and Into the Void. (But really, they should probably count.) Every Day Is Exactly the Same. ...I don't know what it is about that song, but... well, I just become helpless when it comes up. Must listen to it. Only counts. How could it not? The imagery makes it (and the beat's cool, despite it's simplicity.) "I'm becoming less defined, as days go by ... kind of drifting in the abstract, in terms of how I see myself." Ha! There's also this vague, tense crescendo throughout the song that keeps you from stopping it early.

Yup, more than a few. It's possible another four or five tracks will make their way onto this list, once I've had time to re-digest Year Zero. ...But I promised myself I would take some "time off" from listening to it before I went back, so I'm going to skip it now. ...Plus, I've only owned it a month or two now. : )

Goodbye Blue Sky. Floyd. Of course. Note that I wouldn't put "Comfortably Numb" on this list: it's a perfect counter-example of a song that is superb (perfect?) in every other respect... but it's not something that grabs you and sucks you into this introspective world of deep, moving music. Ahhh, but it is such a good song. : ) "You are only coming through in waves; your lips move, but I cannot hear what you're saying..." Of course, not a song I can skip easily, but it's not the same thing. Again, biochemistry. I can't think of any other way to describe it.

Oh, here's another counter-example: Her Majesty's Secret Service, by PropellorHeads. This is the song that keeps me from buying "Saturday Night Fever" (thank god): it's got that disco rhythm down, but adds to it all the electronic goodness that makes modern music cool. I was thrilled they used it in The Incredibles. One of the best movies of all time! In this case, I think I can name why it's not on the biochemical list: it's frivolous. Disqualified!

In the Maybe-Someday department, there is Puff Dragon's Chinese Radio. I have a feeling it'll make it, but it needs more time to sink in. I'm listening to it now. It's close. "Perception, Reality. Perception, Reality."

Sir Psycho Sexy
. "A long, long, long time ago, before the wind, before the snow lived a freak of Nature named Sir Psycho." Ahhh, we love him so. I become someone else when I listen to this song... most because the lyrics are so much racier than anything else I could get caught listening to. (Even Reznor's.) Note that this is another song that would likely make my "best ever" list: it works on both levels.

Oh, TOTALLY! Human Beings by Seal. Totally. Another one of those songs that just transforms me: I just want to put my head down and press the headphones into my ears and dissolve into the music. Don't know why: it's not an incredible song, and I might not even think of it when considering best-ever's. Yet, here it is. Perfect example. Future Love Paradise comes close, but it's not the same: again, it's more a cerebral kind of thing.

Ahhh, Shpongle. I love 'em: I honestly think he's one of the best five composers I've ever heard--a Mozart for the electronic age... But they don't make this list. Perhaps because the music is too frivolous.

Tangerine Dream, too. Dream Mixes, as an album, does something for me, but that's probably because of the experiences I had when I first grew accustomed to it. They're also kind of "backgroundy" to me: I don't have to devote my attention to them.

Okay, I'm putting Butterflies on the list (Toad the Wet Sprocket). It's a magical song. It's sort of the odd-man-out on the list, I think, but I have to put it here. I'm addicted to it.

Hmmmn, perhaps that's part of what I'm trying to describe by "biochemical". It's a form of addiction.

hevv . Tobias Wilton. I had this song in mind the second I thought of creating this list. Here's an excellent example: I don't think I've ever convinced anyone else this song is as brilliant as I seem to think it is. People I expose it to think it's redundant and obnoxious. I adore it. Nay: I need it. Yes. Perhaps we are talking about addiction.

Mmmn, I've really taken to the music of Ultimae (it's a label) over the past two years. ...But I can't really put anything in the biochemical domain. Chinese Radio (mentioned above) comes very close, as do some others by Hol Baumann.

Aleksi Virta Meets Tortsi... another example of great music that isn't an addiction. Hmmmn... No, I think True Dwelling Place qualifies. Deep, dark. Mmmmn. Sure.

Some of Alexy V's music might make it in the near future. Hundred Miles is a contender.

...Which brings us to esem.

Ahhh, esem. He created this list, really. The first artist I was truly addicted to. He might not be the best composer... but there is absolutely something there in his music that infects. ...Not every song does it for every person, but every person who's been smitten by his music has more than a few tracks of his that just feed the soul. Esem may give Reznor a run for his money on this list. For me, the magic is in:

  • Halfmoon
  • kyes /live (I already mentioned kyes ivrload, but... hey, I love it just that much that I'll take both versions!)
  • eloki.neadu (A remake of an early track of his... about the time when I realized I was absolutely hooked on his music.)
  • qre.ii
  • ekred
  • rz ttt
That exhausts my list at work, and I don't think I would have left any of this music at home. : ) I've created a playlist of it... let's see if listening to them all in one stream is wise. ...I suspect not: this is music I want to stop and listen to... and if there's a whole bunch of it one after another, it might get tedious. We'll see.

Music

So, lately, I find myself itching to listen to electronic music.

Those of you who know me would say "what else is new?" to that.

But I mean REALLY electronic music. Like, burbling, screeching, super-fat electronic music. I want to hear the circuitry overloading.

The problem is, there isn't enough of this style of music in my collection! There's some level of it in, say, Shpongle... but there's a lot of smoother fluff in there, too. Even "classic" electronic music (ie: Tangerine Dream) is lacking, for my recent tastes. Too many sampled sounds. Too much piano. (Ewww, piano.)

So where do I turn?

I get the most enjoyment out of--believe it or not--my "samples" directory. This is a collection I've made over the years, during my gear-lust phases, of recordings of synthesizers. Usually raw. ...Just folks fiddling with presets or showing off cool patches.

This is, of course, less "musical" than... well... music. Thus, I can't listen to this stuff all the time. ...though I've been tempted!

There are a few albums that scratch the itch. Depeche Mode's "Playing the Angel" fits the bill, for example. Nine Inch Nails, though guitar-heavy, seems to satisfy thanks to its dark, overdriven pseudo-electronic sound.

I also listen to my own music, despite it's flaws. ...And as I do, I find myself drawn to changing it: making it more simply electronic. Opening up the filters. Whipping out impOSCar. Throwing on the overdrive filter. Removing some notes. Compressing the beat.

We'll see where this leads.


Now playing: The Sinner in Me, by Depeche Mode. Yum.

He's Insane

Okay, so I just made the post about favourite albums... and then my wife bought me Year Zero, NIN's new CD.

I had mixed feelings about The Fragile when I first heard it (It's now in my top-5), and With Teeth took me a solid five forced listens before I finally fell in love with it.

Not so with Year Zero. Love at first sight.

People are calling this Reznor's Magnum Opus... I agree. Not only does the music kick ass, but he's gone one up in the way he's delivered it. Buy the CD and you'll notice a piece of paper stuck to the back reading "USBM WARNING: Consuming or spreading this material may be deemed subversive by the United States Bureau Of Morality." Of course, there is no such entity, but when you go searching for such a thing on the internet...

...Well, I won't spoil it for you. But let me say, it reminds me heavily of The Matrix, where Neo is using the web to search for Morpheus.

It doesn't stop with the Internet. Reznor has gone completely Davinci Code with this one. Open the CD and it's a solid black CD with a spot of text on the bottom reading "Year Zero". Put it in your player for a track and take it out... it's a COMPLETELY DIFFERENT COVER! (Triggered, I assume, by heat.) I was blown away when I first noticed that. Look around and you'll find strange bolded letters here and there... collect them, rearrange them... well, you get the point.

He's turned it into an experience.

Not to mention, there's some kick-ass anti-establishment messages in the lyrics. Examples:

"I push the button and elected him to office, and / He pushed the button and dropped the bombs. / You push the button and a watch it on the television. / Those mother-fuckers didn't last too long."


"I've traded in my god for this one, and he spells his name with a Capitol G"


Yum.

Top-five, all-time, desert-island records

In no particular order:

  • Shpongle - Nothing Lasts, Nothing Is Lost
  • Nine Inch Nails - The Fragile
  • Tangerine Dream - Dream Mixes
  • Introspective - Gewesen
  • Aleksi Virta - ..Meets Tortsi At The Space Lounge
And because we all know five albums isn't enough to live on, here are the next ten runners-up.
  • Pat Metheny - The First Circle
  • Depeche Mode - Playing The Angel
  • Fahrenheit Project - Part Two
  • Fahrenheit Project - Part Five
  • Giles Reaves - Nothing Is Lost
  • The Orb - Orbus Terrarum
  • Beethoven - The Sixth Symphony
  • esem - enveloped
  • esem - serial human
  • Shpongle - Tales of the Inexpressible
To be honest, even with these fifteen, I would be wanting.  Toad The Wet Sproket. Some of esem's singles. Seal.  Red Hot Chili Peppers' BSSM.  Engima.  And a metric buttload of other electronic artists.

But these lists are about restrictions, right?

Anyway, I mention this because, despite loving all this music so much, I recognize that new music is important.  Of late, I have felt like my collection is lacking something, but couldn't put my finger on it.  I've realize what that is, though: something new.

[shrug]

The human condition, I suppose.

WinAMP

It is to my deepest chagrin that I admit WinAMP is too bloated for me, these days.

"If you can guess a landing spot on the moon, I suppose you can guess a cake!"

I've been using WinAmp since I was getting beat up in the high school locker room. I've been an avid follower, and was delighted when WinAMP was one of the first players to support OGG files (perhaps 85% of my collection is OGG these days).

In my anti-social nature (mentioned in the last post), I have taken to listening to music incessantly here at work. ...But my work machine is the most absolute of burger-sucking dogs, and when one works in such software as Visual dBase, Dreamweaver, Visual Studio, and--powers of the universe preserve us--Internet Explorer, one is bound to find bits leaking out of their little unprotected blocks and spilling onto the CPU, making a terrible mess and stinking of ozone.

WinAMP does not enjoy this anymore than I do. In fact, I believe it makes matters worse.

I don't like bloat. This is why I hate all Microsoft software. All of it: I haven't found a single counter-example. Everything is bloated. Hell, I would rather skip buying a CD than listen to sound examples in anything made by Real, that scum-bag sucking fat zombie mime fuckhole company. AOL is something to be approached with fallout gear and large, preferably long-range weapons.

Pardon me. Where was I?

I use XMMS at home. (On Linux.) I believe XMMS is perfect: it does what I want, it looks reasonably cool (winamp skins), it's free, and it's got a footprint on the scale of rodents. Small rodents. There is no "thinger", there is no internet-scouring script looking for album covers... even the built-in visualizations are limited to oscilloscopes and spectrum analyzers. And I don't have to go through six screen to install it. (Hell, I just enable it with a package manager, dammit: I never see a single dialog box!)

"I think if I were a spaceman, I wouldn't care if people believed in me or not."

So, I merrily resolved to install XMMS here at work and be done with it. Alas, I quickly discovered that there are no win32 binaries for XMMS.

Drat.

I begin scouring for another player, but am quickly assaulted by free-download sites that cause AdBlocker to groan under the pressure. I fear looking for bloat-free players in this manner will be fruitless.

As I said, 85% of my collection is in OGG format, so I choose instead to float on over to the Vorbis site and check our their recommended players. To my dismay, almost all of them are commercial bastardizations of freeware (much like WinAMP is, though I fear winamp is one of precious few companies that aren't really stepping on me when I download the free version of their software: almost no nagging, and no crippled features that I care about.)

Then I stumble upon Zinf. I've heard of it before, I think: I've probably passed over it in linux installs. (There's that "mindshare" thing, eh?) It's smaller than WinAMP, and just barely bigger than I think it should be (it's 1.7 Meg). I install.

Okay, so it's not sexy... but not hideous. It plays my OGGs. It's got a music manager that I don't particularly care for, but I start using it anyway: we'll kick the tires.

...And that's where I currently stand.

"Maybe I'm dreaming. My eyes are open, which means maybe I'm awake, dreaming I'm asleep. Or... or more likely, maybe I'm asleep, dreaming that I'm awake, wondering if I'm dreaming..."

So, if you haven't noticed, the quotes have been from Aleksi Virta's "...meets tortsi" album. ...One of the best albums ever, mind you. I'm listening to it now. Memory footprint? 14Megs. This is more than I expect, so I check WinAMP playing the same song, and I lose my breath when I see it's taking up a massive 44Meg! ...Eeep. Okay. So, for the next few weeks (?), I will be testing this Zinf thing, and seeing how it goes, because only time will tell.

Still, I lament the fact that I'm abandoning WinAMP. It used to be one of the only programs I really trusted. [sigh]

"An anti-American eagle? It's diabolical!"